
Hughes also went on to direct a couple of feature films—TWIN CHEEKS: WHO KILLED THE HOMECOMING KING (1994) and LA CAGE AUX ZOMBIES (1995), the latter of which featured Russ Meyer starlet Kitten Natividad as an obscenely large-busted victim that unwillingly supplied a pair of cross-dressing zombies with breast milk. That’s a sentence that pretty much sums up the nuttiness that runs rampant in Hughes’s work.
HEART ATTACK! THE EARLY PULSE POUNDING CINEMA OF KELLY HUGHES functions as both a documentary and a retrospective of the man’s filmography. Composed almost equally of talking-head interviews with those in the know and clips from his films, this was an utterly fascinating look into a side of moviemaking that rarely gets attention: not the Major Studios like Universal or Sony; not the Major Minors like Full Moon or Troma; but the real minors, the true independent that exists solely because the creative force behind it is simply too determined to quit.
Full disclosure: I had never heard of Kelly Hughes before watching this doc, and I had certainly never seen any of his movies. But now? Now I want to see every single one of them, so I would have to say that this was a success. HEART ATTACK! was fascinating, entertaining, and more than a little inspirational. This was truly one of the most special films I have seen in a long time.
If you’re a fan of cult, horror, exploitation, or micro-budget cinema—and especially if you hope to someday create your own—this is the best piece of advice that I can offer you:
Watch. This. Movie.
Visit Kelly Hughes's webpage by clicking HERE, and rent/purchase a digital copy of the documentary HERE.
(Special thanks to Kelly Hughes for the screener)
--J/Metro